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louisiana purchase vera zorina, william gaxton, victor moore, irene bordoni, and carol bruce, 1940

a rehearsal of two weeks with pay at the ridgeway theare, white plains, ny, nyt 6/23/40

three subway drawings from sardine chauffeurs - and pushers-in, nyt mag 6/30/40

ivoryton playhouse rehearsal. director milton stiefel and marjorie simmons, nyt 7/7/40

the women will soon knit again. nyt mag 7/14/40

the 10:07 bound for new york roars past the playhouse during intermission, red barn theater locust valley, l.i., nyt 7/21/40

every barn's a stage: 4 drawings of actor types, new york times magazine july 28, 1940

every barn's a stage: 3drawings of actor types, nyt mag 7/28/40

every barn's a stage: life with father, nyt mag 7/28/40

murder inc. - mafia meeting, nyt 8/4/40

eagles mere players returning home after a performance of her cardboard lover william prince, dolly haas, bettina cerf, robert adams, harry gresham, rosalind gould, and douglas rowland, 1940

scene change at long beach stadium for kiss the boys goodbye, nyt 8/18/40

eunice healey, bert gordon, al jolson , martha raye, jack whiting, jinx falkunberg in hold on to your hats, nyt 9/1/40

hal sherman, barto and mann, ole olsen, chic johnson, shirley wayne in hellzapoppin', nyt 9/15/40

ed wynn, antonio demarcos, renee demarcos, jane pickens in boys and girls together, nyt 9/29/40

opening night intermission: the brilliance of a premiere is made not by the play but by the audience nyt mag 9/29/40

the actors are in an agony of first night heebie-jeebies and certainly not at their best. nyt mag 9/29/40

the late rising of the curtain means that almost every critic has to leave well before the finish. nyt mag 9/29/40 (critic: b atkinson)